We are heading for a full frame. A quick guide to choosing a full frame camera. Nikon D610 review. Inexpensive Full Frame worth wanting Nikon full frame model

You have decided to buy digital camera? Let me congratulate you. This is one of the best ways to make a gaping hole in family budget. It is most likely useless to dissuade you, so I will simply tell you how to choose a digital camera so that this choice causes you minimal financial and psychological damage.

Unfortunately, it is impossible to give unambiguous, universal recommendations for choosing a camera for an abstract novice photographer, since the needs of all photographers are different. Different photographic tasks require different equipment. A camera that suits me perfectly may not be right for you. Despite this, I will still try to highlight here specific models of digital cameras that, in my opinion, meet the requirements of the widest range of photographers.

What you should pay attention to

Marketers do not get tired of brainwashing naive amateur photographers with those camera parameters that can be easily measured numerically (resolution, ISO, zoom ratio, etc.), although they say very little about the suitability of the camera for real shooting outside the walls of a photo store.

The resolution of a camera (more precisely, its matrix) is measured in megapixels (Mp), i.e. in the number of dots that make up the camera's matrix, and hence the images obtained with it. To date, the resolution digital cameras exceeds the capabilities of their lenses, and, much sadder, far exceeds the capabilities of most photographers shooting with these cameras. Ten megapixels is enough for anyone, and today it is difficult to find a camera with a lower resolution. Instead of resolution, pay more attention to the physical size of the matrix - the larger the size (i.e., the smaller the crop factor of the matrix), the better. Other equal conditions A larger sensor is more sensitive to light, has a greater dynamic range, and is less noisy.

ISO is a standard for the sensitivity of photographic material (in our case, a digital matrix) to light. The maximum ISO value indirectly characterizes the camera's ability to shoot in low light conditions, but we should not forget that increasing the sensitivity inevitably leads to noise. What is the use of the manufacturer's declared maximum value of ISO 102400 if it cannot be used in practice, since the image will be a solid red and blue mess? Compact cameras with small sensors always behave horribly at high ISOs. SLR cameras look much better, but also require sanity.

Zoom ratio is simply the ratio between the maximum and minimum focal lengths of a zoom lens. For example, a lens with a focal length of 18-55 mm is essentially a 3x zoom (55 ÷ 18 ≈ 3), although the concept of a zoom factor is more often used in relation to fixed lenses of compact cameras. Taken regardless of the focal length, the zoom ratio has no meaning and certainly should not serve as a criterion when choosing a camera or lens, and here's why: firstly, it says nothing about specific focal lengths. For example, two completely different lenses can turn out to be equally 5x zooms: 24-120 mm and 80-400 mm. Secondly, you have to pay for versatility with quality - 30x ultrazooms physically cannot provide decent sharpness, and their aperture ratio is not high; and therefore do not chase zoom lenses with exorbitant multiplicity. A convenient set of focal lengths is much more important than the zoom factor. To compare lenses, it is appropriate to use the concept of equivalent focal length, because it allows you to take into account the difference in the size of the sensors of different cameras.

Digital zoom is not only useless, but even somewhat harmful. Having nothing to do with optics, digital zoom simply stretches part of the image through the camera's software, which creates the illusion of zooming in, but leads to a noticeable loss in quality. Similarly, you can enlarge the image in Photoshop.

The most important and most stubbornly ignored parameter when choosing a camera by sellers is ergonomics - how comfortable the camera fits in the hand, how quickly it allows you to respond to changing shooting conditions, how thoughtful the management of the most important settings is and whether menu navigation takes too much time. Convenience is an individual matter. You can finally make sure that a particular camera is right for you only by picking it up.

Some parameters just need to be able to interpret. For example, heavy weight is not a virtue in itself, but it can indirectly indicate the mechanical strength and reliability of the camera, and a high burst shooting speed almost always indicates that the camera is suitable for reportage work.

And one more important tip: never listen to consultants in photo equipment stores. Their goal is to sell you a camera, and preferably at a higher price, not to improve your photographs. Only a practicing photographer can know which camera is really good and which is not.

For more detailed information on what criteria should be followed when choosing a digital camera and optics for it, you can learn from the following articles: "What is a professional camera", "Camera options" and "Criteria for choosing lenses". About what else, besides the camera, the amateur photographer will have to acquire, is described in the article “Starting kit for photographic equipment”.

SLR cameras

Nikon FX

Nikon currently releases five full-frame models: D610, D750, Df, D810 and D5. Camera sales around the world are now declining, and if you do decide to buy a digital camera, Nikon will prefer that this camera be sure to be full-frame - simply because it is more expensive.

Of course, we are all very sad that the poor Japanese capitalists are suffering losses, but do you really need a full frame? The difference in image quality between DX and FX devices is minimal today, and is mainly manifested by a slightly lower level of FX noise at high ISO values.

Canon APS-C

Canon APS-C cameras have a 1.6 crop factor sensor, i.e. slightly smaller than the Nikon DX. Canon cameras are better suited for shooting video, and this is a reason to take a closer look at them if you are interested in video shooting. I myself am skeptical about shooting video on a SLR camera, but you are entitled to your own opinion.

Canon has seven current APS-C format models: 4000D, 2000D, 200D, 800D, 77D, 80D and 7D Mark II.

4000D, 2000D, 200D and 800D are amateur cameras. The Canon EOS 2000D is a great camera for a beginner photographer - small, light and not too expensive. Canon EOS 200D is even more compact, but in this regard, it has only a minimum of external controls, which, however, is partly offset by the presence of a touch screen. Canon EOS 800D is a slightly more advanced, but still amateur model. The Canon EOS 4000D is a cut down (not to say worse) version of the 2000D.

Canon Full Frame

Today Canon releases four full-frame models: 6D Mark II, 5D Mark IV, 5Ds and 1D X Mark II. Canon EOS 1D C doesn't count because it's meant for video, not photography.

Compact cameras

No compact camera can match a DSLR in speed of operation, and few can match in image quality, but when a camera is required to fit in a pocket, DSLRs are completely unacceptable due to their size.

Obviously, if you only need compactness, without regard to image quality and ergonomics, then the camera built into a mobile phone may well replace a real camera. Another thing is that even the simplest soap dish is still more convenient to shoot than the most advanced smartphone.

By the simplest soap dish, I mean something like Nikon Coolpix A10. This ultra-budget camera costs $150, has a 1/2.3" sensor (crop factor 6), a good universal zoom lens and shoots much better than most phones, and besides, it runs on standard AA batteries, which helps a lot on trips.

The problem is that if a person is satisfied with the quality of the image obtained using a 1/2.3" matrix (well, or 1/1.7" for more expensive soap dishes), then in most cases he will be satisfied with the quality that the matrix of a mobile phone gives out - for social networks will fit any rubbish. As for ease of use, a rare smartphone owner will agree to pay extra for a separate device with real buttons. He is accustomed to the touch screen and does not know that in some situations the archaic buttons are much more convenient.

However, fans of extreme recreation and tourism may like one of the protected compacts, say, the Olympus Tough TG-5 for $ 500, which has a waterproof shockproof case, built-in GPS receiver and thermometer, as well as a small 1 / 2.3-format matrix.

I don’t recommend advanced ultrazoom compacts to anyone for the reason that their matrices are still tiny, but in terms of size and price, ultrazooms are very close to budget DSLRs. It is possible that I do not understand something, but, in my opinion, if the camera looks and costs like a DSLR, but shoots like a cheap soap dish, then this is a bad camera and you should not buy it.

More expensive compact cameras with large matrices stand apart. The idea behind these cameras is to get the best image quality when minimum sizes apparatus.

Editors' Choice - Canon PowerShot G7 X Mark II for $650, equipped with a 1" sensor (crop factor 2.7) and a zoom lens with an equivalent focal length of 24-100 mm at f / 1.8-2.8 aperture. Why exactly 1"? After all, there are compact cameras and a larger format, up to full-frame ones? That's how it is, but more and more serious compacts have dimensions that no longer allow us to consider them truly compact. And if the camera ceases to fit in your pocket, is it not better to buy a real SLR instead of it for less money and enjoy life? At the same time, the G7 X and other similar cameras provide image quality quite comparable to DSLRs, but at the same time, they practically do not differ in size from ordinary point-and-shoot cameras.

Mirrorless cameras

In principle, it is difficult for me to recommend one of the mirrorless systems to a novice photographer. Their functional advantages even over the simplest SLR cameras are not quite obvious, and the price of mirrorless cameras is still quite high. A person who switches to a mirrorless system should do this consciously and be well aware of what he is losing and what he is gaining. A classic DSLR always has a better price/performance ratio than a similar class mirrorless camera. The only unconditional advantage of mirrorless cameras is their relative lightness and compactness, for which you actually pay an additional premium.

If you have come to this life, then I would advise you to choose between the Olympus Micro 4/3, Fujifilm X, Sony α and maybe Canon EOS M systems. The Olympus system has the most thoughtful ergonomics and a wonderful variety of lenses, but the Olympus sensor is small (crop factor 2). Sony has both cropped and full frame models, but the choice of lenses leaves a lot to be desired. The Fuji system is the golden mean. The Canon EOS M system is hardly mature, but Canon mirrorless cameras are compatible (with an adapter) with lenses for EF and EF-S SLR cameras. Mirrorless cameras from other manufacturers are nothing more than compacts with interchangeable lenses and an enlarged matrix. For serious photography, they are of little use.

Thank you for your attention!

Vasily A.

post scriptum

If the article turned out to be useful and informative for you, you can kindly support the project by contributing to its development. If you did not like the article, but you have thoughts on how to make it better, your criticism will be accepted with no less gratitude.

Do not forget that this article is subject to copyright. Reprinting and quoting are permissible provided there is a valid link to the original source, and the text used must not be distorted or modified in any way.

Full-frame cameras have always been the preserve of professionals, but with increased competition, more affordable products have appeared on the market. This does not mean that they are completely cheap. You can buy a professional full-frame camera of the previous generation or buy a new device for the same money, sacrificing some features and characteristics.

To help you make your choice, we've put together 10 cheapest full frame cameras on the market.

If you're looking to move from crop to more professional devices, this list will help you make the right choice.

1 Canon EOS 6D

This is an older camera, but it still offers an excellent set of features and high image quality.

Type of: DSLR
Sensor: full frame
Permission: 20.2MP
Lens mount: Canon EF
Screen: 3-inch fixed, 1,040,000 dots
Viewfinder: Optic
5fps
1080p
Price: 88 thousand rubles/body

The camera has excellent autofocus, which maintains its sensitivity even in low light. The sensor boasts excellent image quality, and there are few autofocus points. There are only 11 of them, but this is enough for most types of shooting. Also, the camera cannot boast of a rich set of video recording functions.

At the time of its release, the Canon EOS 6D was the world's lightest full-frame DSLR. Even though it's over five years old, it's still enticing to landscape photographers and travelers alike. The EOS 6D's 11-point AF system includes only one cross-type sensor. It is simpler than the Nikon D610 39-point system. The sensor with a resolution of 20.2MP also suffers from claims, since this resolution is not enough in 2017. That said, the EOS 6D has a lot of positives and if you don't normally print your shots on a large format or do a lot of cropping, the camera will suit most requirements. EOS 6D has built-in Wi-Fi and GPS, and boasts a highly sensitive focusing system

2 Canon EOS 6D Mark II

More new model Canon EOS 6D Mark II received a more sophisticated autofocus system and a touch screen.

Type of: DSLR
Sensor: full frame
Permission: 26.2MP
Lens mount: Canon EF
Screen: 3-inch vari-angle touchscreen 1,040,000 dots
Viewfinder: Optic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 125 thousand rubles/body

The autofocus system has become more modern. The swivel touch screen makes it easy to operate, but the camera doesn't have modern 4K video resolution. The camera also lacks a high dynamic range.

Introduced five years after the original Canon EOS 6D, a new version The EOS 6D Mark II has received significant upgrades over the old model. Sensor resolution has increased significantly. Now it is 26.2MP instead of 20.2MP. Canon's DIGIC 7 processor helped with the higher resolution. For video filming, a rotary touch screen will be convenient. The camera also offers 5-axis digital stabilization for video shooting, but only at resolutions up to Full HD. 4K in the camera is not. The autofocus system has also been improved. Now it has 45 cross-type points, 27 of which have sensitivity at F / 8. The system is sensitive down to -3EV. Also an added bonus is the Dual Pixel Focus, which is able to work at incredible speed in Live View and when shooting video. It's a great camera, but the EOS 6D Mark II doesn't have the best dynamic range compared to its peers.

3 Nikon D610

Affordable full-frame camera with excellent performance.

Type of: DSLR
Sensor: full frame
Permission: 24.3MP
Lens mount: Nikon F
Screen: 2-inch, fixed, 921,000 dots
Viewfinder: Optic
Maximum Burst Speed: 6fps
Maximum video resolution: 1080p
Price: 89 thousand rubles/body

The dual SD card slot and water resistance are a plus, but the AF points are too close to center. Also, the camera does not have built-in wireless technologies.

Finding differences between Nikon D610 and Nikon D600 will not be easy. Introduced a year after the 600 model, the new D610 is virtually identical to its predecessor. Increased burst shooting speed from 5.5fps to 6fps. There is also a silent shooting mode at a speed of 3 frames per second. The camera is quite attractive due to its excellent value for money. A 24.3MP image sensor is installed inside, which is closed in a waterproof case. The autofocus system has 39 points. Also attractive are the two SD card slots and the optical viewfinder, which has 100% frame coverage.

4 Nikon D750

Don't look at age. The D750 still offers good performance.

Type of: DSLR
Sensor: full frame
Permission: 24.3MP
Lens mount: Nikon F
Screen: 2-inch, oblique, 1,228,000 dots
Viewfinder: Optic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 130 thousand rubles/body

The camera can offer a wide dynamic range and be easy to use thanks to the tilting touch screen. However, without 4K video, it does not meet the requirements of modern videographers. Live View mode is very slow.

The D750 is sandwiched between the more affordable D610 and the professional D810/D850 in Nikon's full frame range. This is a mid range DSLR. It borrows characteristics from both cheaper and more expensive products. Camera received top speed 1/4000 sec shutter speed and 24.3MP image sensor resolution from lower models, but 51-point autofocus is carried over from the D810. The D750's tilting touchscreen display, combined with Full HD 60fps video recording and built-in Wi-Fi, make this a compelling camera.

5 Nikon D810

High resolution becomes more accessible.

Type of: DSLR
Sensor: full frame
Permission: 36.3MP
Lens mount: Nikon F
Screen: 2-inch, fixed, 1,229,000 dots
Viewfinder: Optic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 189 thousand rubles/body

The lowest light sensitivity of the camera is ISO 64, which in to a large extent reduces the noise level. Nevertheless, the camera is already difficult to attribute to affordable devices, but for its characteristics, its cost is quite pleasant. Due to the resolution, the file sizes are very large.

The more expensive Nikon D850 has already been introduced, but the previous model, the D810, has become more affordable thanks to this, although it will still cost you a tidy sum. The high resolution of 36.3MP in the D810 allows you to capture the sharpest and most detailed shots thanks to the absence of an anti-aliasing filter.

The EXPEED 4 image processor gives you the ability to shoot at 5 frames per second at full resolution. The maximum video resolution is 1080p, and the base sensitivity of ISO 64 makes it possible to shoot with minimal noise. Files with such a high resolution require a powerful computer to process.

6 Nikon Df

A convincing combination of style and content.

Type of: DSLR
Sensor: full frame
Permission: 16.2MP
Lens mount: Nikon F
Screen: 3.2-inch, fixed, 921,000 dots
Viewfinder: Optic
Maximum Burst Speed: 5fps
Maximum video resolution: Not
Price: 165 thousand rubles/body

The sensor produces excellent results. The camera has a stylish retro design, but it doesn't offer video recording capabilities, and the 16.2MP resolution is a little behind today's requirements.

Against the whopping 50.6MP or 45.7MP full-frame Canon 5DS/R resolutions of the Nikon D850, the 16.2MP resolution of the Nikon Df seems paltry. But the sensor of this camera has its own history. It was used in the former Nikon D4 flagship. Also, the comparatively low pixel count means that the camera will be able to produce excellent results in the dark. However, the most notable is the camera on the outside. It has a retro design. The layout of the controls will please those who love the process of shooting as much as the end result.

Compared to other Nikon FX DSLRs, the price of the Df remains consistently high, especially given the specs, but at least you can enjoy the aesthetics of this camera.

7 Sony A7

One of the best full-frame mirrorless cameras of its time has become available to a wider range of photographers.

Type of: mirrorless camera
Sensor: full frame
Permission: 24.3MP
Lens mount: Sony E
Screen:
Viewfinder: Electronic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 85 thousand rubles/body

The camera is a good size. He is not too big. The image quality is also impressive. At the same time, like most mirrorless cameras, the Sony A7 has a weak battery. Another downside is the lack of 4K video recording.

Compared to huge DSLRs, the Sony A7 is very small and light. Obviously, once you attach a telephoto lens to the camera, the size and weight increase significantly, minimizing the benefits of the A7. The Sony A7 was the first full-frame compact mirrorless camera on the market, and while it lacks some competitive advantages such as touch screen functionality and 4K video, the quality of RAW images captured with the 24.3MP CMOS Exmor sensor continues to amaze. The only real disappointment is the somewhat modest battery life, the relatively low price of the A7 allows you to stock up on spare batteries.

8 Sony A7 II

Although the interior of the A7 II is similar to its predecessor, the image processing has been improved resulting in better results.

Type of: mirrorless camera
Sensor: full frame
Permission: 24.3MP
Lens mount: Sony E
Screen: 3-inch, oblique, 1,228,800 dots
Viewfinder: Electronic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 105 thousand rubles/body

The advantage was 5-axis image stabilization based on image sensor shift. The image processing has also improved. Otherwise, the camera remained similar to the previous A7 model. Large optics still negate almost all the advantages of a small camera body.

9 Sony A7S

Video heavyweight in 4K resolution. The Sony A7S is a mirrorless camera for those who know what it's capable of and can take advantage of it.

Type of: mirrorless camera
Sensor: full frame
Permission: 12.2MP
Lens mount: Sony E
Screen: 3-inch, oblique, 921,600 dots
Viewfinder: Electronic
Maximum Burst Speed: 5fps
Maximum video resolution: 4K
Price: 120 thousand rubles/body

Incredible low-light performance and the ability to shoot uncompressed 4K video with an external recording device are very good features. At the same time, the camera has a very low resolution and cannot independently record 4K on a memory card.

The 12.2MP resolution may seem like a throwback to a long time ago, but the full-frame sensor inside the Sony A7S practically glows in the dark. "S" stands for "sensitivity" (sensitivity), and for good reason. The A7S has a native ISO range of 100-102400, and keeping the resolution low allows each pixel to be larger for better light gathering properties. This minimizes noise and delivers exceptional image quality. Progressive video settings offer the option of using a flat S-log2 color profile. There is an HDMI connector on the case, which can output video to an external device in 4K resolution. Only the A7S II camera received the ability to save 4K video to a memory card. If shooting photos and videos in low light is your priority, then the A7S is a good option. Otherwise, the A7 II with higher resolution and stabilization wins.

10 Pentax K-1

Do you want to stand out from the crowd? The full-frame Pentax DSLR offers a new experience.

Type of: DSLR
Sensor: full frame
Permission: 36.4MP
Lens mount: Pentax K
Screen: 2-inch, oblique, 1,037,000 dots
Viewfinder: Optic
Maximum Burst Speed: 5fps
Maximum video resolution: 1080p
Price: 135 thousand rubles/body

The camera has built-in image stabilization based on sensor shift. At the same time, the sluggish autofocus system and the lack of 4K video are upsetting.

Ricoh doesn't provide a great selection of full frame cameras, but the company knows how to make quality devices. The K-1 is a camera that stands out from the crowd with its 5-axis anti-shake technology with 5 stops of shake compensation. There is also Pixel Shift, which will increase the resolution of pictures by shooting multiple frames with a sensor shift of 1 pixel. Also very interesting is the Astrotracer system, which uses GPS data to move the sensor following the movement of stars in the sky when shooting with long exposures to obtain best sharpness. At 36.4MP, the K-1 is similar to the Nikon D810. It also does not have an anti-aliasing filter. The Pentax K-1 offers a great value for money, so if you're looking for full-frame sensor resolution, stabilization and excellent image quality, and are less concerned about autofocus speed, then the K-1 should be a great deal for you.

Full frame DSLRs are at the peak of their popularity right now. There are several reasons for this. On the one hand, traditional SLR cameras APS-C a strong competitor has appeared - mirrorless cameras, which, in terms of the combination of such characteristics as price and compactness, are superior to SLR cameras.

On the other hand, more and more SLR camera models are moving towards the professional segment, getting the stuffing of older models, including a full-frame matrix, getting cheaper and moving from the category of purely professional cameras to the more massive category of advanced cameras for amateur photographers.
The synonym for the top camera is the presence in it full-frame full-frame-matrix (FF), about which many people only know that FF is good.

Today we will try to answer popular questions from amateur photographers about full-frame cameras and help you navigate the current models.

The matrix in the camera is the case when size matters. The smallest matrices are usually used in mobile phones, a little more (1 / 2.3) - in "soap dishes" and camera phones, even more (Micro 4/3, 1, APS-C) - in mirrorless cameras, APS-C (25.1x16.7 mm) - in ordinary SLR cameras , full-frame (36x24 mm) - in older models of SLR cameras. The full-frame sensor got its name because of the same dimensions as a full-frame 35 mm film. Therefore, the focal length on the lenses is usually indicated "in 35 mm equivalent."

Low noise at high ISOs, shallow depth of field, wide dynamic range, smooth transitions in midtones - this is what (and, in general, everything) how switching to an FF camera will affect the quality of a photo. Strictly speaking, a camera with a full-frame sensor is needed for those who want to make better use of professional fast lenses and shoot at high ISO values. The full-frame sensor is not one big plus.

For cameras with APS-C sensors, FF cameras are much inferior in shooting speed. Also sensors with crop factor more than one will be more convenient for working with telephoto lenses.

In addition to size, the difference between full-frame and crop sensors lies in the increased frame space. The crop sensor increases the focal length in proportion to its crop factor. Shooting on an APS-C camera (crop factor - 1.5) with a 50mm lens, we get photos taken as if taken on a 75mm lens. On the other hand, a full-frame sensor does not crop the shot, which means that with the same 50mm lens it will be possible to shoot landscapes and fit a much larger lens into the frame without using wide-angle lenses.

Before buying an FF camera, you should carefully study the list of compatible lenses, their prices, and remember that a full-frame camera is very demanding on the quality of optics. Paired with a mid-range lens that blurs or darkens the image around the edges, it will not be able to reveal even part of the potential of a large matrix. And good optics cost a lot of money, from $400 to several thousand.

On full-frame cameras, fast prime lenses, including wide-angle ones, work great. Alternatively, you can start by buying a budget 50mm f/1.8 FF camera mount. But the available zooms will have to be abandoned, as well as a number of wide-angle lenses - 10-22, 10-20, 11-16, 10-24.

In the history of digital full-frame cameras, only a few dozen models have gone on sale. Moreover, only three companies produce such equipment for the mass buyer - Canon, Nikon, Sony. The last full-frame Kodak camera was released in 2004, and the Pentax model shown in 2001 never went on sale, and not everyone can afford Leica cameras: average price on a Leica M9 without a lens is 140 thousand rubles.

current models

Canon EOS 5D Mark III and Canon 6D

Average price without lens: 100k and 60k

2012 brought an update to all existing full-frame cameras, including the legendary Canon series 5D.

Manufacturing companies

The Canon EOS 5D Mark III received major upgrades across the board: a new sensor, processor, display, autofocus system and two memory card slots, as well as enhanced video recording capabilities. The new 3.2-inch screen has a resolution of 1.04 million dots, an anti-reflective transparent layer and a protective glass with an additional anti-reflective coating. The camera can shoot in multiple exposure mode with various overlay methods and independently create HDR in four styles.

The DIGIC 5+ processor is 17 times faster than the processor in the Mark II, which in practice gives an increase in signal output speed from the sensor and almost doubled the shooting speed, from 3.9 to 6 frames per second. Paired with Canon lenses, the camera itself corrects vignetting and removes chromatic aberration. For the first time implemented in the DSLRs of this manufacturer, the Rate function allows you to compare fixed and automatic exposures on the camera screen. Accurate autofocus is provided by a 61-point focusing system (instead of 9-point in the 5D Mark II), which migrated from the older 1Dx. An important update also affected video recording: the length of the video has been increased from 12 minutes to 30.

Another one canon camera occupied a niche between crop 7D and full-frame 5D, and the appearance of an affordable FF model in the lineup allowed Canon to position the 5D as more professional apparatus. Full frame, budget ( keyword), light by the standards of FF-DSLRs (only 770 g), the 6D became a direct competitor to the Nikon D600.

Manufacturing companies

When comparing the specifications of the 6D and the Mark III, there aren't that many differences that catch the eye, although the price difference between the cameras is $1,500. The resolution of the 6D matrix is \u200b\u200bless (20.2 million pixels versus 22.3 for Mark 3), lower rate of fire (4.5 fps versus 6 fps), no second slot for a memory card, 11-point focusing system instead of 61- point. Strictly speaking, Canon introduced a slightly modernized version of the Mark II in a compact body.

In terms of dimensions, the 6D is comparable to the Canon 60D and is the most compact SLR FF camera. From older cameras, 6D received a fast DIGIC 5+ processor and a 3.2-inch screen with a resolution of 1.04 million dots. The second slot for a memory card is unlikely to be of interest to the potential audience of this camera (SD is used), but the built-in GPS and Wi-Fi modules will be very useful. Images can be transferred via Wi-Fi to smartphones and tablets (available free apps for Android or iOS). Unfortunately, the camera can only work with EF optics - you will have to forget about the EF-S and EF-M mounts.

Nikon D600 and Nikon D800

Average price without lens: 56k and 90k

The Nikon D700, released five years ago, was naturally opposed to the Canon 5D Mark 2, respectively, after upgrading to Mark 3, the appearance of the D800 was quite expected. This time, Nikon has released a full-frame camera with an incredibly high resolution (36 megapixels, image resolution is 7360 x 4912 pixels) and in two versions - with and without a low-pass filter (D800E). Modification with antialiasing went on sale for $300 more. Curiously, the D800 is no longer a stripped-down version of one of the company's older cameras, as was the case with the D700 and D3. However, the design and layout of the elements on the case remained similar to the D700.

Manufacturing companies

In addition to a stunning 36-megapixel CMOS sensor, the camera has a 3.2-inch touchscreen display with a resolution of 921,000 dots and a viewing angle of 170 degrees - the same screen is installed in the older Nikon D4. The screen is protected by durable Hardlex glass. Interesting fact: Hardlex is used in the cockpits of Boeing aircraft.

Rate of fire is not the strong point of full-frame cameras. The D800 shoots at 4.6 frames per second, which is good enough for many situations besides sports and reportage. But the new processor allows you to fully unlock the potential of the 51-point focusing system, including 15 cross-type sensors.

Finally, compared to the D700, the camera received a refinement in video recording. The length of a single video is still limited to 30 minutes, but when shooting, you can use the DX mode (simulated APS-C) and shoot with lenses that simulate 1.5x magnification. You can connect an external microphone to the camera to record stereo sound or be content with mono on the built-in microphone. A nice option is that the volume of the sound during shooting is adjustable.

The Nikon D600 uses a viewfinder with 100% frame coverage. Professional cameras are produced without a built-in flash, but realizing that the user does not always want to spend money on accessories, Nikon added a built-in flash to the D600.

Manufacturing companies

It is useful to break shadows when shooting in backlight, or can serve as an impulse when shooting in the studio. Another important plus of the camera is the focusing system, and here Nikon really has something to oppose to the Canon 6D's 11-point focusing system: backlight, 39 points, 9 of which are cross-shaped. The D600 also has an interesting function of switching to DX mode, in which the camera simulates working with an APS-C sensor: the equivalent focal length of the lenses increases by 1.5 times, and the length of the burst of shots increases to 100 frames in JPEG and up to 30 in RAW versus 30 in JPEG and 15 in RAW in normal mode. DX mode allows you to connect lenses from ASC cameras, which will be useful if you are moving from crop to full frame, but cannot afford to upgrade all the necessary lenses yet. The built-in drive is useful for working with lenses without a built-in motor. Wi-Fi and GPS modules for the D600 will need to be purchased separately.

Sony Alpha a7 and Sony Alpha a99

Average price without lens: 60k and 95k

Sony was the last to take on full-frame cameras, but approached this issue in its own style: the company's first experiments touched on FF cameras with a translucent mirror, in which autofocus worked when recording video. The second major claim to success was the release of the full-frame compact RX1, which shook general idea about what a FF camera might look like. Next is an external full-frame QX10 camera lens attached to a smartphone. The icing on the cake is the announcement of two full-frame mirrorless cameras at once.

Sony Alpha a7 also marked the end of the history of NEX cameras, from now on the Japanese plan to release mirrorless cameras in the Alpha series. Sony also refuses to use the word “mirror”, replacing it with the general wording “camera with interchangeable lenses”.

Manufacturing companies

The Sony Alpha a7 interchangeable lens camera is a tiny camera with a full-frame sensor, Wi-Fi and NFC modules, 117-point focusing and a high-quality flip-out display. The OLED electronic viewfinder has 100% frame coverage and 0.71x magnification. Alpha a7 can operate in automatic and semi-automatic modes, with shutter priority, aperture priority or full manual settings. The mode dial includes video recording, automatic panorama shooting and scene mode selection. Two variations of the camera are available for sale - with a low-pass filter (a7) and without it (a7r). The a7 uses a 24-megapixel sensor, while the a7r uses a 36-megapixel one. The main issue when using the Sony Alpha a7 is optics. Formally, the a7 is compatible with the E-mount (NEX lenses), but they are not well suited for a full-frame sensor. So far, only 5 compatible lenses have been presented, and by the end of 2015, Sony plans to increase the fleet of FE optics to 16 models. You can use lenses from SLT-alpha through adapters LA-EA3 and LA-AE4.

The full-frame sensor, combined with proprietary translucent mirror technology, allows you to record videos with auto focus and Full HD resolution at 24/50/60 frames per second. Information about sound recording on both channels is displayed, professional sound settings are available through the XLR adapter.

From a99 professional camcorders, a controller for quickly changing shooting parameters for video recording - other camera manufacturers are not yet able to offer anything like this.

Results

Full-frame cameras for the mass buyer are an ambiguous phenomenon. On the one hand, the above advantages over cameras with an APS-C sensor are obvious.

On the other hand, without high-quality optics, buying an FF model may not meet expectations, and good lenses will require additional expenses. The lack of a built-in flash, considerable dimensions, weight - all these are also arguments against buying a full-frame camera for personal use, without the purpose of making money. The exception is the compact full-frame Sony a7, but given its high price for a mirrorless camera and a small set of compatible lenses, it can be recommended for purchase only to those who clearly understand why they need this particular camera.

As a rule, people come to the full frame consciously, after many years of practice and passion for photography. They choose Nikon or Canon and stay true to the system, acquiring optics and additional accessories. And if before the full frame was the territory of the pros, for whom the presence of a camera with a full-frame sensor was critical for work, today such cameras have become more widespread. They simply became cheaper and more compact.

By and large, a full-frame sensor has one advantage over smaller sensors - higher image quality. Naturally, this parameter consists of several components, primarily higher detail and a wide dynamic range, and they directly depend on the physical dimensions of the sensor.

The skeleton of a typical full-frame DSLR

In addition, the larger sensor performs better in low light shooting. And here it is not only a wide dynamic range, but also a low noise level. The top lines of the DxO Mark rating have long been occupied by full-frame cameras, and devices based on Sony matrices predominate among them.

Full frame is necessary for high-quality night shooting and, in particular, for recording night time-lapse videos. Have you seen videos of the Milky Way, with the northern lights? All this was filmed with full-frame cameras.

How about nice bokeh? It is also easier to get when shooting on a camera with a full frame sensor. Although in this case, the role of optics should not be underestimated.

Size comparison of all existing matrix formats

For a long time, full-frame cameras were too large and a stereotype was established in the minds of the consumer, they say, a full frame is too cumbersome and heavy. Although it was possible to refute this even before Sony showed the world the Cyber-shot RX1 and full-frame E-mount cameras, digital Lakes were quite compact. They remain one of the most compact full frames today. However, Leica is a very special matter. What, besides Leica, is the current market for full-frame cameras rich in?

Canon EOS 6D

The Canon EOS 6D was one of the first full frames available, along with the Nikon D600. The camera was introduced in the fall of 2012 and there are no rumors about its replacement yet. This is a full-frame DSLR in the classic sense of the word, which, in terms of its capabilities, is slightly lower than the Canon 5D Mark III. Some of the characteristics are artificially low for a clearer positioning. This is especially true of the burst rate, the available shutter speed range and the autofocus system.

It is based on a 20-megapixel full-frame sensor and a dual DIGIC 5+ processor, which was also used in higher-end flagships. All the stuffing is enclosed in a weatherproof magnesium alloy case. Pentaprism viewfinder provides 97% frame coverage and 0.71x magnification. The burst rate is a modest 4.5 frames per second, the shutter works out shutter speeds up to 1/4000 s, there is no built-in flash, but even more significant drawback is weak autofocus. Phase autofocus works on 11 points in the central part of the frame, of which only one central is cross-shaped. The camera is capable of processing RAW files, as well as correcting vignetting and chromatic aberrations of compatible optics. Video shooting is available in Full HD resolution at 30, 25 or 24 full frames per second, and to record high-quality sound, you will have to purchase an external stereo microphone.

The key difference between the Canon EOS 6D and its competitors is the presence of built-in GPS and Wi-Fi modules. The first allows you to add information about the coordinates of the shooting point to the images and even record the route traveled. Mobile app EOS Remote supports image copying, remote camera control and remote shooting, as well as uploading content to social networks - standard set wireless features. The battery is rated for 1000 shots, and the optional battery grip will help extend battery life.

Canon EOS-1D C and Canon EOS-1D X

The Canon EOS-1D X is the top professional DSLR, while its more recent modification Canon EOS-1D C is focused on professional 4K video shooting and costs almost three times as much. basis original Canon EOS-1D X is 18 megapixel CMOS sensor, the pixels of which are made using gapless technology, as well as a dual DIGIC 5+ processor. The sensitivity limit here is an ultra-high value of ISO 204 800. The magnesium body of the camera is protected from moisture and dust.

The EOS-1DX was the first camera with two joystick controls for landscape and portrait orientation, and the first DSLR to support Ethernet connections. The camera also stands out with an advanced 61-point phase-detection system and 14fps burst shooting, which means it will be of interest to professional reporters. The main emphasis here is on ergonomics and speed. In addition, the camera is equipped with two CF card slots. Video recording is available in 1920x1080 resolution at 30, 25 and 24 frames per second, and full 60 fps is recorded only in 1280x720 resolution. The Canon EOS-1D X is compatible with accessories such as an external Wi-Fi module, stereo microphone, or remote shutter.

Canon EOS-1D C is a much more specific and more expensive product. People who select a device of this class are unlikely to read our review now. However, a few words should be said about him. Its technical equipment is almost the same as that of the EOS-1D X, except for the sensor optimized for recording 4K video. Video modes are much more diverse here. For example, Full HD video is recorded at a maximum rate of 60 full frames per second. Log Gamma can be used to record video, and uncompressed video can be streamed via the HDMI port to an external receiver. However, the 4K mode here is more of a marketing gimmick, since the frame rate for such video is only 24 frames per second, and the stream is compressed by the Motion JPEG codec.

Canon EOS 5D Mark III

The Canon EOS 5D Mark III has become a long-awaited gift for professional photographers, even more in demand than the above-described EOS-1D X. Recall that at one time the EOS 5D Mark II became the first full-frame camera to support Full HD video recording. The Canon EOS 5D Mark III is housed in a dust and moisture-resistant magnesium alloy body, and the shell design can be called conservatively established.

The camera supports two types of memory cards at once - CF and SD, which can work in pairs. The Five is equipped with a 22-megapixel full-frame sensor and a DIGIC 5+ processor, as well as a 61-point phase detection autofocus system with 41 cross-type sensors with object tracking function. The camera, however, has only a mono mixer, lacks an autofocus assist lamp and built-in flash - this will have to be put up with.

Automation allows you to shoot series in full resolution at a frequency of 6 frames per second, set any shutter speed up to 1/8000 s, shoot with multiple exposures, stitch together HDR images and record time lapse videos. It also provides tools for in-camera RAW processing, shooting full-size photos during video recording and a lot of fine-tuning for professionals. Video recording, however, does not fit into modern requirements and standards. The frame rate is 30 when shooting in Full HD with ALL-I or IPB compression. Disappointing is the lack of full-fledged continuous autofocus and the ability to output an uncompressed video stream via HDMI. A direct competitor in the face of Nikon D800 in this regard looks more maneuverable.

Well, it’s not worth talking about the affordable collection of full-frame optics and accessories once again - the choice is huge. The camera is compatible with a battery grip and an external Wi-Fi transmitter, triggers and external flashes, and underwater housings. The standard battery is rated for 900 shutter clicks.

Nikon Df

Nikon Df stands out among peers in the first place for its vintage design. Without exaggeration, this is the most beautiful full-frame DSLR to date. Created for adherents of "analogue" sensations, the camera at the same time offers a serious technical stuffing. It is housed in a magnesium alloy body with plastic inserts and is the most compact SLR camera with a full frame sensor, and also weatherproof.

Among the ergonomic features, it is worth highlighting a very small handle, a four-position mode selector, a tiny auxiliary monochrome display, one memory card slot and the absence of a built-in flash.

The main pride of Nikon Df is the 16-megapixel sensor inherited from Nikon D4, as well as the EXPEED 3 processor. The camera is compatible with both full-frame optics and lenses with one and a half crop in DX mode.

Nikon positions the camera as a tool for the aesthete, old-school professional photographer and artificially limits the camera to only the ability to take photos. No plot programs and other chips for beginners are not provided here. But in the presence of multiple exposure, and interval shooting, HDR and Active D-Lighting functions. The phase focusing system works on 39 points, and the burst rate is 5.5 frames per second. The camera does not have built-in Wi-Fi. But this problem is solved by purchasing an external transmitter WU-1a.

Nikon D610

Strictly speaking, the first relatively affordable full-frame DSLR was the Nikon D600. However, very soon, due to a problem with the shutter and sensor, it needed to be replaced in the form of the D610. The Nikon D610 is in the same class as the Canon EOS 6D. The SLR is protected from moisture and dust, enclosed in a magnesium alloy body with a polycarbonate front panel. The camera has a number of advantages over its closest competitor: 39-point phase-detection autofocus, built-in flash, and even two SD card slots.

The full frame is equipped with a 24-megapixel sensor manufactured by Sony and can work in 1.5 crop (DX) mode paired with the appropriate optics. The camera mount has a special mechanism for controlling the aperture on old manual Nikon lenses. A new shutter has been specially developed for the Nikon D610, eliminating the annoying problem of oil splatter. The shutter works from 1/4000s to 30s, and the burst rate is 6 frames per second with active autofocus. The video modes here are the same as those of the closest competitor. The maximum resolution of the videos is 1920x1080, and the frame rate is selected from a range of 30p, 25p or 24p. The lack of built-in Wi-Fi and sync contact, as well as a mono microphone, can be considered disadvantages of this model. At the same time, Nikon D610 can be "pumped" with a battery grip, an external stereo microphone, Wi-Fi and GPS modules, and, of course, an external flash.

Nikon D800 and Nikon D800E

Nikon D800 and its more expensive modification with a sensor without an AA filter has become a kind of counterbalance to the competitor Canon EOS 5D Mark III, but the focus here is shifted to landscape-studio shooting. The cameras received full-frame sensors with an impressive resolution of 36 megapixels, and the main focus is on image detail and advanced video shooting. Like most Nikon DSLRs, the camera can also shoot in 1.5 crop mode, which is indispensable when using DX optics. In this case, the resolution drops to 15 megapixels. The frequency of continuous shooting at such a high resolution of the matrix was 4 frames per second, and video recording is possible at a frequency of 30, 25 and 24 frames per second in Full HD.

The Multi-CAM 3500FX focusing system is directly copied from the flagship Nikon D4 and has 51 phase detection autofocus points. Unlike the EOS 5D Mark III, Nikon offers an AF assist lamp and HDMI uncompressed video output. The shutter works out shutter speeds up to 1/8000 s, and flash synchronization is possible at shutter speeds up to 1/250 s. The minimum shutter life is 200,000 clicks. It is also worth noting the support of the USB 3.0 standard, built-in flash, headphone jack and the presence of two slots for memory cards - CF and SD. Both cameras are equipped with 1900 mAh batteries, which will be enough for about 750 shots, but there is also the possibility of docking a battery grip.

Nikon D4 and Nikon D4s

In early 2012, the Nikon D4 replaced the Nikon D3 as the flagship, although Japanese manufacturers usually avoid the "four" in the names. The professional Nikon D4 has a 16.2-megapixel full frame CMOS sensor, offering a sweet spot between high resolution images and high ISO quality. Subsequently, the same successful sensor was used to create the Nikon Df.

The "brain" of the camera was the EXPEED 3 processor, later also used in the development of Nikon 1 mirrorless models. A dedicated 51-point sensor is dedicated to focusing, and the burst rate is 10 frames per second with active autofocus. Nikon D4 became the second camera after the Canon EOS 1D X, which acquired an Ethernet controller and a corresponding connector. It is also the first and so far the only camera to support the new XQD memory card format. At the same time, the camera is equipped with two slots at once - for XQD and CF cards.

The soldier who does not dream of becoming a general is bad. This truth was written many years ago and does not lose its relevance even now. But there is a slightly different expression among photographers: “It’s impossible not to want a full frame.” But at the same time, the cost of a full frame did not allow every second person to buy such a carcass. In the camp of both Canon's and Nikon's, such cameras were intended for more professional use or for advanced enthusiasts, while it should be borne in mind that professional tools simply cannot be cheap.

It's scary to imagine how much time in total is spent in the world dreaming about a 36x24 frame.

There were terrible legends about the full frame. It was said that the one who picks up such a camera simply will not be able to shoot on anything else, that there is a “Masterpiece” button, and every third shot taken on a full frame will be bought and printed by magazines such as National Geographics, Playboy and Esquire. Many even just went to stores and held such carcasses in their hands in order to feel the holy spirit of real creativity.

But now photo makers are pushing the boundaries and starting to produce cameras that you will not only want, but will be able to afford. And one of these is Nikon D610.

Video review Nikon D610:

Design and ergonomics

Externally, the device most closely resembles the Nikon D600. Same controls, same ports. Go and see his review.

I was too lazy to describe all this, but angry Chief Editor said: "Work!". This is where you have to work.

The basis of the case is magnesium alloy, which protects the camera from external negative influences. A small amount of plastic is still present and can be seen on the front of the device. But at the same time, solidity did not suffer in any way - the carcass feels strong. It has dust and moisture protection, while, of course, it is inferior in level to the D4 master, but you can shoot in light rain or snow without worrying. Even in ten-degree frost, all the functions worked adequately for me, however, for this you need to prepare the camera like this.

The case fits in the hand like a glove, does not slip and does not strive to fall out. On the front side there is a battery handle with a functional wheel for a more comfortable grip and control, an already canonical red stripe, and two function buttons. One is hung with the function of changing the aspect ratio - switching between FX and DX. This is very convenient when you need to get closer to the subject, but the zoom is not enough. Or for a more convenient compositional construction of the frame. On the second one, I personally put an aperture repeater in order to quickly and conveniently assess the depth of field.

In the center is a metal mount, and on the other side is a lens release button, a lever for switching between automatic and manual focusing and a button for changing autofocus modes. Above, on the protruding prism block are the bracketing and opening keys for the built-in flash. This is undoubtedly a plus, because in all models of this class there is usually no flash. Manufacturers believe that people using such a camera will use external light sources. This is partly true, but sometimes the built-in puff saves.

On the left side, under rubber plugs, there are connectors for connecting external accessories - Mini USB, HDMI, a port for a GPS module, and a remote control. There are also connectors for an external microphone and headphones, so it is now much easier to control the quality of sound recording.

On the right side, there are still two slots for SD cards under plastic lid. Such a solution will allow you to use twice as much memory and forget about worries about lack of space.

The bottom edge is occupied by the battery compartment and tripod socket.

At the top end, everything is familiar. On the left are two mode wheels that are locked with buttons to protect against accidental rotation, while the lower one is responsible for selecting the shooting speed, mirror pre-up, quiet mode, and the upper one for selecting PASM, user saved modes and auto.

On the right is a monochrome display for displaying information, a shutter button with a three-position on / off / backlight lever, video recording, exposure compensation and focus area selection keys. It is worth noting that to control the functions, you need to not only press them, but also hold them while turning the wheel.

In the center above the mount is a hot shoe and a hidden built-in flash.

The rear edge is given over to a fixed 3.2-inch VGA display. Viewing angles and color rendition cause genuine delight and a desire to view pictures right on the spot.

To the left of the display are five buttons: menu, color correction, setup information, zoom in and out. Almost all buttons have two functions. For example, setting information can change white balance, and zooming can change image quality and ISO.

To the right of the screen is an info button, Live View mode framed by a video or photo selection lever, a four-way joystick, an OK button, and a focus point lock lever. Above the screen is a viewfinder with a proximity sensor and diopter adjustment, to the left of it - viewing the gallery and removing. On the right - AE-L / AF-L and the second mode dial.

What's under the hood

Behind the mirror is a 24 MP sensor measuring 36 x 24 mm. The classic narrow film format in digital form. The Expeed 3 processor is responsible for the correct operation. This is enough to ensure highest speed work and forget about any braking or speed problems.

The sensitivity range is from 100 to 6400 units, and in extended mode, an interval from 50 to 25600 ISO becomes available. At the same time, the matrix makes little noise - values \u200b\u200bup to 6400 can be considered working. If you shoot in RAW followed by competent development, then 12800 is quite usable not only for the web, but also for printing in small sizes. Falling details and colored noise are no longer noticeable from a distance of one meter.

For printing from a device in A4 format, oddly enough, almost all values \u200b\u200bare suitable. Up to 6400 ISO receive prints High Quality You can at least from Jpeg, but after that it’s still worth switching to RAW. 12800, after a competent development, still demonstrates some color noise, but at arm's length, and even more so on the wall, it is difficult to see it. But 25600 is not worth printing even from RAW more than A5. Here you can already see the loss of detail on small textures and noise.

The device's rate of fire is at a height of 6 fps at full resolution in RAW. The buffer is enough for a series of 15 frames, then the camera will shoot endlessly with a frame rate of almost 1 fps. With JPEG, you can practically not worry about the buffer - more than 30 frames will be enough in 99% of cases. Measurements were made with a fast memory card (its review). With slower cards, the results may differ for the worse.

There is also quiet shooting at 3 fps. True, the volume here is an exclusively comparative parameter, but you will obviously attract much less attention.

The dynamic range deserves special praise at all - lights and shadows are worked out correctly and correctly, but if the need arises, you can safely turn on the D-Lighting or HDR extension. High Dynamic Range does not work with RAW and even in RAW+JPEG mode. To activate it, you will always have to switch to JPEG.

autofocus

The autofocus system is inherited, and to it - from the D7000. And I have to say, she's awesome. These are 39 points, of which 9 are cross points. But there is also a minus - the main array is concentrated in the central part of the frame. This means that aiming at the extreme point will be somewhat problematic, as well as at the small one in the center of the frame. For me personally, this was not a problem - I focused, blocked, shifted the camera a little and got a good result. In general, the automatic focusing system works very correctly - quickly, tenaciously, accurately.

These should definitely include the function of shooting Time Lapse Motion, or time-lapse video, as you please. If earlier, to obtain such an effect, it was necessary to spend a lot of time and effort, now we simply select the necessary item, interval and shooting time in the menu. Press "OK" - and we get the output of the finished video in * .mov format. Everything else is not something supernatural - the expansion of the dynamic range, bracketing. That's all we've seen in previous models.

Video capabilities

They are top notch here. FullHD up to 30 fps, high bitrate, flexible sound settings, microphone and headphone connection. But here, as well as almost everywhere at Nikon, a small and annoying bug appears. Well, what the hell am I, buying a carcass for two pieces of bucks, I can’t change the aperture value when shooting video in Live View mode? At the same time, there are no problems with this in the older D800. I'm just shocked that the company, which was the first in the world to implement video shooting in DSLRs, behaves like this.

Nikon D610 vs. Nikon D600

6 fps vs 5.5 fps;
the new model has a quiet continuous shooting;
fixed some bugs with color correction and white balance;
from now on, in new models there are no problems with the shutter / mirror unit and there are no oil stains on the matrix. And in the predecessor, this sometimes happened.

Good

excellent low-noise sensor;
wide dynamic range in standard mode;
bright and rich display;
good level of video quality;
variety of ports;
dust and moisture protection;
adequate operation at low temperatures;
fast and tenacious focusing;
viewfinder with 100% frame coverage;
the presence of time-lapse photography;
many functions for correcting lens defects;
slot for two SD memory cards.

Badly

minimum shutter speed 1/4000;
crowding of dots in the central part of the frame;
IMPOSSIBILITY TO CHANGE IRIS IN LIVE VIEW MODE;
not the fastest autofocus in live view mode;
the absence of a histogram on the display when sighting through the display.

What glass to take

It is worth saying that in order to unlock the full potential of the matrix installed inside the carcass, it is worth planning the purchase of good and bright optics. At the same time, in conditions of limited finances, you can easily get by with fixes - for example, Nikkor AF-S 50mm F1.8G.

In full frame conditions, this will be exactly the right fifty dollars, a universal lens. Not for nothing that all film cameras were equipped with just such fixes - they can shoot almost all subjects: from architecture and genre, to portrait and landscape. A high aperture will allow you to shoot even in conditions poor lighting. In this case, the photographer will always be able to switch to DX mode and get 75 mm for shooting large portraits.

If there are no funds at all, then for the first time fifty dollars will suffice. His review.

If you have extra funds, you can take. Its cost is about 400 dollars, but the aperture ratio is two-thirds higher.

The Nikkor AF-S 85mm F1.8G is a good choice for portrait lovers. It's compact enough to carry your camera around every day, blurs the background really well, and delivers a soft and beautiful pattern. But its cost is about 500 conventional units. There is also a version with F1.4 aperture, but it's worth it to overpay, decide for yourself, based on the tasks.

The Nikkor AF-S 28mm F1.8G is the right lens for shooting architecture or landscapes. Wide angle, beautiful drawing, low level of distortion for $700 is a good choice.

You can also look at the expensive one - one of the best wide-angles ever created. . Let it be darker, but it will give a better picture. But given the $2,000 price tag, it's worth thrice-thinking if you need one.

- This is a standard fast lens for every day. Sharp, fast, beautiful, heavy, it will allow you to shoot all sorts of scenes, getting good results. It costs a lot - 1600 bucks. .

The Nikkor AF-S 70-200mm F2.8G VR II is a bright telephoto lens for reporters. The built-in stub minimizes lubrication, there are practically no defects, and the price of 2100 conventional units makes you lick your lips. But keep in mind that buying such a hulk is worth it for professional work - when I came to the club with him, I was asked to confirm the accreditation of a journalist.

Alternative

In fact, the only alternative and competitor. The price category is about the same, and even a little cheaper. Its cost now in the vastness of Ukraine starts at $ 1,500. The carcass is lighter and smaller, the sensor slightly loses in detail nominally. In real conditions, you are unlikely to feel the difference. A matrix from a competitor will make a little less noise in the dark, have the same excellent DD and color reproduction. The rate of fire is slightly lower - 4.5 fps versus 6. There are only 11 autofocus points on board with one cross-shaped. But the points are located more evenly across the frame field. The viewfinder loses - only 97% coverage.

Also, the Canon 6D has one memory card slot and no built-in flash. But there are Wi-Fi and GPS modules.

You can, of course, take the Nikon D600 - it will cost a little less - about $ 1,600. But at the same time, you doom yourself to torment about the oil on the matrix and the breakdown of the mirror / shutter. And given the difference of $ 100 with the next generation, I think it's not worth it.

Summary

I am sure that Nikon D610, despite a number of small disadvantages, will easily win the love of many photographers. This is the most compact and most affordable full-frame DSLR from manufacturers, which brings to life the best practices: excellent detail, low noise, wide dynamic range.

And, if you belong to the Nikonist cohort and can afford such a device, take it. You are unlikely to be disappointed. The camera will allow you to perform the entire range of tasks quickly and efficiently. And given that the price tag for it now starts at $ 1,700 on the Ukrainian Internet, this is an excellent upgrade of equipment. Although, if you have a Nikon D600, then you definitely shouldn't upgrade.

And yes, I hope that the rubber bands will not come off after six months of active use. Otherwise, this is another minus in the karma of the manufacturer.

Snapshot gallery

(hover your mouse over the top right corner to view full screen)