In the time that has passed since the release of the α7 II (3.5 years), Sony itself has stepped forward very powerfully, if not subjugating the market for professional and semi-professional cameras, then creating a serious pocket in it. The main engines of Sony's progress in this area, in addition to expanding the optics fleet: the world's best autofocus with the ability to aim at the eye, seriously improved autonomy, new sensors and, in general, a great increase in the speed of camera response to the actions of the photographer. The main breakthrough here was the Sony α7R II and the subsequent α9 and α7R III. Now it's time to update the "nominal" camera of the series.
Compared to the α7 II, it has improved, one might say, everything. The camera received a new 24-megapixel full-frame back-illuminated sensor, a hybrid focusing system (693 phase detection autofocus points, 425 contrast sensors), a new battery that allows you to take up to 710 shots per charge (according to the CIPA method); it can also shoot at speeds up to 10 frames per second, is equipped with a touchscreen display ... You can list for a long time, it is important to understand the main thing - Sony tried to create its most versatile full-frame mirrorless camera. But did the company make any compromises in this process?
⇡ Specifications
| Sony α7 III | ||||
| Image sensor | 36×24mm (full frame) | 36×24mm (full frame) | 36×24mm (full frame) | 36×24mm (full frame) |
| Effective sensor resolution | 24 megapixels | 42.4 megapixels | 24.5 megapixels | 30.4 megapixels |
| Image stabilizer | 5 axis | 5 axis | 5 axis | No |
| Bayonet | Sony E | Sony E | Z Nikon | Canon EF |
| Photo Format | JPEG (EXIF 2.3, DCF 2.0), RAW (ARW) | JPEG (EXIF 2.3, DCF 2.0), RAW (NEF) | JPEG (EXIF 2.3, DCF 2.0), RAW, Dual Pixel RAW | |
| Video Format | XAVC S, AVCHD 2.0, MP4 | XAVC S, AVCHD 2.0, MP4 | MOV, MP4 | MOV, MP4 |
| Frame size | up to 6000 × 4000 pixels | up to 7952 × 5304 pixels | up to 6048 × 4024 pixels | up to 6720 × 4480 pixels |
| Video Resolution | up to 3840×2160, 30p | up to 3840×2160, 30p | up to 3840×2160, 30p | up to 4096 × 2160 pixels, 30p |
| Sensitivity | ISO 100-51200 expandable to 50, 102400 and 204800 | ISO 100-32000 expandable to 50, 51200 and 102400 | ISO 100-51 200 expandable to 50-204 800 | ISO 100-32000, expandable to ISO 50, 51200 and 102400 |
| Gate | |
Mechanical shutter: 1/8000-30s; long (Bulb); silent mode |
Mechanical shutter: 1/8000-30s; long (Bulb); silent mode |
Mechanical shutter: 1/8000-30s; long (Bulb) |
| Burst speed | up to 10 fps with mechanical shutter | up to 10 fps with electronic shutter | up to 12 fps | up to 7 fps in normal mode, up to 4.3 fps in live view with focus tracking |
| autofocus | Hybrid (contrast + phase), 693 dots | Hybrid, 399 phase-detection AF points in full frame; 255 phase-detection AF points + 425 contrast AF points | Hybrid (contrast + phase), 273 points | Phase, 61 points, of which 41 are of the cross type; Dual Pixel CMOS AF when focusing in Live View |
| Metering, modes of operation | Matrix metering, 1200 areas: matrix, center-weighted, spot, spot standard/large area, screen average, brightest area | TTL Sensor: Matrix, Center-weighted, Spot, Highlight | 252-point TTL metering: evaluative, partial, center-weighted, spot | |
| exposure compensation | + 5.0 EV in 1/3 or 1/2 EV increments | + 5.0 EV in steps of 1, 1/3 or 1/2 EV | + 5.0 EV in 1/3 or 1/2 steps | |
| Built-in flash | No, X-sync 1/250 s |
No, X-sync 1/250 s |
No, X-sync 1/200 s |
No, X-sync 1/200s |
| Self-timer | 2 s, 5 s, 10 s; auto timer for shooting with bracketing; self-timer for continuous shooting (up to 3 shots) |
2 s, 5 s, 10 s, 20 s; from 1 to 9 exposures with an interval of 0.5; one; 2 or 3 s | 2/10 s | |
| Memory card | Two slots, one compatible with Memory Stick (PRO, Pro Duo) and SD/SDHC/SDXC type UHS I/II, the other is SD only | Slot for XQD/CF-Express | CF slot type I (UDMA 7 compatible) + slot for SD/SDHC/SDXC type UHS I | |
| Display | Tilting touchscreen, 3" LCD, 0.92M dots | Tilting touchscreen, 3" LCD, 1.4M dots | 3.2" Tilting Touch LCD, 2.1 M dot resolution | LCD, 3.2 inches, 1.6 million dots, touch coating; optional monochrome display |
| Viewfinder | Electronic (OLED, 2.36M dots) | Electronic (OLED, 3.69 million dots) | Pentaprism reflex viewfinder, 100% image area |
|
| Interfaces | USB Type-C (USB 3.0), microUSB, 3.5mm headphone jack, 3.5mm microphone jack, microHDMI type D | USB Type-C (USB 3.0), microUSB, 3.5mm headphone jack, 3.5mm microphone jack, microHDMI type D, sync port | USB Type-C (USB 3.0), HDMI type C, 3.5mm headphone jack, 3.5mm microphone jack, remote control jack | HDMI, USB 3.0, 3.5mm external microphone, 3.5mm headphone, remote control port |
| Wireless modules | WiFi, NFC, Bluetooth | WiFi, NFC, Bluetooth | WiFi, Bluetooth (SnapBridge) | WiFi, NFC, GPS |
| Food | Li-ion battery NP-FZ100, 16.4 Wh (2280 mAh, 7.2 V) | Li-ion battery EN-EL15b, 14 Wh (1900 mAh, 7 V) | Li-ion battery LP-E6N 14 Wh (1865 mAh, 7.2 V) | |
| Dimensions | 126.9×95.6×73.7mm | 126.9×95.6×73.7mm | 134×101×68mm | 150.7×116.4×75.9mm |
| Weight | 650 grams (with battery and memory card) | 657 grams (with battery and memory card) | 675 grams (with battery and memory card) | 890 grams (incl. battery and memory card) |
| Current price | 144 900 rubles for the version without a lens (body) | 230,000 rubles for the version without a lens (body) | 159,000 rubles for the version without a lens (body), 209,000 rubles for the version with a 24-70mm f/4 lens | 199,000 rubles for the version without a lens (body) |
⇡ Appearance, ergonomics and control
The Sony α7 III is a fairly compact camera. On the one hand, this is certainly a plus, but it can also cause inconvenience. In my female hand, it lies quite comfortably, but I suppose that for male photographers, the space between the handle for the right hand and the lens may seem insufficient - the knuckles will rest against the lens. It should be noted that the camera has an additional handle extension, which can be purchased for more comfortable work, but I did not have the opportunity to test it in practice.
The camera itself is relatively light (650 grams with battery and memory card), but when used with the Planar T* FE 50mm f/1.4 lens, which I used most often during testing, it feels unbalanced - the optics feel too heavy for this camera . This nuance, however, can be corrected by purchasing an additional battery pack.
In terms of control, the Sony α7 III does not show anything fundamentally new - both the design and the controls have been transferred to it from other cameras in the family. In particular, from the model.
On the front panel there is a mount, a lens release button, a selector dial on the grip handle, an IR transmitter for a wireless remote control, and an autofocus illuminator.
On the right side is a compartment for memory cards, which opens with a small lever. The top slot is designed for Memory Stick and SD cards, the bottom slot is for SD only (moreover, the bottom one is marked as the first slot). There is also an NFC contact pad.
All interfaces are concentrated on the left side, divided into three groups, each of which is covered with a plastic cover. The first is a sync connector for an external flash and a mini-jack for a microphone. In the second - a mini-jack for headphones and microHDMI. In the third - USB Type-C (USB 3.0 standard) and microUSB. Both can be used to charge the camera, as well as to transfer files to a computer.
On the top panel there is a speaker, a stereo microphone, a universal hot shoe interface and a group of controls concentrated on the right side: a classic mode selector, an exposure compensation dial, a shutter button with a power switch and two programmable keys.
On the back panel there is an LCD display with a slide and tilt mechanism, but without the ability to rotate 180 degrees. Above it is an electronic viewfinder eyepiece with a diopter adjustment wheel and a proximity sensor. All other controls are also located here: the third programmable key, the main menu button, the video start key, the forced activation of autofocus / zoom in during playback, exposure lock / zoom out during playback, the second selector dial, joystick, navigation ring with four “beams ” that respond to pressing, and a central confirmation button, a function key (by default, it calls up a quick menu) and keys for viewing and deleting images. The latter is also programmed.
Below is only the battery compartment and tripod socket. They are located at a sufficient distance from each other so that the photographer has access to the battery even when shooting with a tripod.
My subjective impressions of the control of the Sony α7 III are mixed. From a utilitarian point of view, everything seems to be in order, but the level of comfort expected from a camera in working with it is not enough. For example, the exposure compensation dial is very tight here, as is the mode dial. Selector discs are quite normal. There are also questions about the keys - for example, the menu button is located too close to the viewfinder, it is inconvenient to press it.
The camera menu is very extensive - Sony α7 III is designed for serious and thoughtful work and therefore has many functions that are not obvious to a simple amateur, but important to professionals. How conveniently the menu is organized is largely a matter of individual perception and habit. For example, in this regard, I am more impressed with the organization of the menu in the new Nikon Z7 - the functions are distributed into sections more logically, you can find the desired parameter faster. In any case, after a few days of working with the α7 III, you also get used to its menu, and the most requested options are easily found. It is also worth noting that the camera allows the user to flexibly customize the control for themselves by setting the necessary functions on the desired buttons. Moreover, you can assign different functions to the same button in photo, video and frame playback modes - this is very convenient.
Sony α7 III camera interface
Although the display of the Sony α7 III is equipped with a touch screen, it is not possible to use it when navigating through the menus, and you can only move between items using the controls.
The quick menu is called up with the Fn button on the front panel. Of course, the user can add any of the functions he most needs to it, but only 12 - in my opinion, this is not enough for such a camera.
⇡ Display and viewfinder
The 3-inch LCD display with a resolution of 921,600 pixels is no longer very impressive by today's standards. This is just one of the fruits of the compromise that we talked about at the beginning. At the same time, the display is equipped with a touch coating - this is an improvement in relation to the previous model, the Sony α7 II. It is very convenient that the display can work in touchpad mode: when building a frame using the viewfinder, you can still set the focus point by touching the formally turned off display.
The viewfinder here is also simplified compared to what we saw in the Sony α9 or α7R III: OLED, with a resolution of 2,359,296 pixels (against 3.7 million pixels on the aforementioned family brethren or the direct competitor Nikon Z6). It uses new optics, which is why the experience in comparison with the α7 II is noticeably different. But in any case, I confess that working with this viewfinder did not give me pleasure, and I resorted to it only in bright sunlight, when pointing at the LCD screen became clearly uncomfortable.
⇡ Sensor, continuous shooting and autofocus
Of course, the most important innovation of the Sony α7 III in comparison with the previous model was the sensor. The resolution has not changed much - 24 effective megapixels. But that shouldn't be misleading - it's a freshly designed sensor with back-illumination and a nicely improved performance at high ISOs. Most likely, this is a “stripped down” version of the sensor used in the α9 reporting camera. The BIONZ X processor works with this sensor, which, in turn, means a significant acceleration of data processing and an increase in the quality of this very processing.
The updated sensor works in tandem with the new "LSI interface" (basically an additional processor) to shoot at up to 10fps with single-frame autofocus and autoexposure, but no pictures in Live View or up to 8fps with the current picture displayed . This is a very serious level, which is backed up by a very decent clipboard. The declared length of the series (up to 40 frames with uncompressed RAW) was not achieved from the camera, but 32 frames in RAW + JPEG format is also a very decent level. In JPEG format, the burst length can be up to 85-87 shots. Filming was done on a SanDisk Extreme Pro microSDXC UHS-II memory card.
The new camera borrows the impressive focusing system again from the Sony α9: 693 phase sensors are accompanied by 425 contrast sensors. Coverage of 93% of the frame is provided.
The user has the opportunity to adjust autofocus in the most flexible way, so that, depending on the specifics of their work, each photographer can get the perfect result. For photographers working with manual focus, there are also convenient functions: a focusing magnifier and focus peaking (highlighting the area in the sharpness zone with the selected color).
Portrait is the main genre I work in, and open air portrait is the one I shoot most often, and this is exactly the situation when focus is critical. Every portrait photographer knows the feeling of disappointment when a shot that is successful in all respects has to be rejected due to the fact that the focus has "left" a little in the wrong direction - on a strand of hair or the bridge of the nose. Constant careful focusing on the eyes is becoming a habit, but the new Sony camera promises to save us from unnecessary work. How well does the eye autofocus system work? I decided to test it on the most complex model. Young children are difficult to get to pose, they are constantly on the move, and attempts to manually select the focus point obviously fail here. This is the perfect situation to test out how the new autofocus works on the camera. And - it works well:
With what it is connected - it is not clear. In general, despite even a number of misses, autofocus left a very pleasant impression. This camera really makes it possible to shoot dynamics, take live reportage photos, without wasting time on self-focusing, because of which the right moment is often missed. The chance that you will get a correctly focused frame is very high.
For comparison, I took a number of shots with manual focus point selection. Here, too, everything worked perfectly, the camera instantly “clings” to the eyes in the indicated place.
So, in daylight, autofocus proved to be fast and accurate, but what can we expect when lighting conditions leave much to be desired?
Here, too, everything is in order. The camera focuses very well in dim light, including bright, distracting light sources in the frame. The percentage of focus misses, according to my observations, is no higher than in daylight. Autofocus is claimed to be effective down to -3 EV. I can only confirm the words of the manufacturer.
Here I would like to note one more interesting "trick" of the camera called "registration of persons" and "priority of registered persons". Its essence is that we can take a picture of a certain person and enter his portrait into the memory of the device, so that when autofocusing on a group of people, the camera itself selects the desired character and focuses on it. This can be useful when shooting events where it is important to focus on specific people. For example, when photographing a wedding, we can register portraits of the bride and groom in the camera’s memory so that when shooting them with guests, we can be sure that the newlyweds will be the main characters of the scene.
Mirrorless technology is based on an electronic viewfinder. Its use allows you to reduce the dimensions of the camera compared to SLR cameras, while maintaining advanced functionality and interchangeable lenses.
The first mirrorless cameras, which appeared in the early 2000s, were not in demand due to the high cost and reduced capabilities. But in recent years the situation has changed. The technical parameters of modern models are comparable to DSLRs and are second only to professional equipment. But the mass distribution of mirrorless cameras is constrained by the high cost and undeveloped fleet of optics. The use of adapters and non-native lenses often leads to a decrease in quality.
Mirrorless technologies are being actively explored by all manufacturers of photographic equipment, including the leaders of the “mirror” market Canon and Nikon, but so far their success in the new field cannot be called outstanding. The palm here belongs to Olympus and Panasonic, but in recent years Sony has become the generally recognized leader.
Mirrorless cameras are steadily gaining market share and may eventually replace DSLRs. However, novelty is a deterrent to increasing sales. Even sellers of specialized stores are not always ready to provide competent advice. Therefore, when choosing, it is advisable to focus on reviews, reviews and ratings of the best mirrorless cameras.
The Best Mirrorless Cameras for Hobbyists
3 Canon EOS M50 Kit
Model not picky about consumables. Eye focus
Country: Japan
Average price: 44990 rubles.
Rating (2019): 4.6
Mirrorless with the best performance, if you take into account the loyal price of the gadget. There are interchangeable optics, a three-inch swivel display, Wi-Fi and Bluetooth, a 25.8 megapixel matrix and 4K support. In the reviews, the owners of this mirrorless camera swear that 4K is dishonest, but even in Full HD, the M50 shoots amazingly.
Users after the experience of using this model for more than six months share their observations in the reviews. Autofocus is great: there is tracking focus, focus on the eyes, and the ability to select the focus point by tapping on the screen when using the electronic viewfinder. Thanks to a cheap Chinese adapter, you can connect a 50 mm STM lens. The camera also accepts cheap batteries without problems. Still pleased with the flexibility of the menu and many settings. All buttons can be reassigned. This is the best mirrorless camera for amateurs and not only.
2 Olympus OM-D E-M10 Mark II Kit
The optimum ratio of price and quality. Optical stabilizer
Country: Japan
Average price: 39990 rubles.
Rating (2019): 4.7
Behind the retro style lies an advanced electronic filling. The advantages of the camera include a large electronic viewfinder, high sensitivity, good color reproduction and fast autofocus. In the new version, a useful option appeared on the rotary touch screen: selecting the focus area with a finger on the screen.
But the best among the competitors of the OM-D E-M10 Mark II is the built-in 5-axis optical stabilizer, which is not found in all older models. With it, you can confidently shoot handheld at slow shutter speeds in low light and record video.
There are no complaints about the image resolution in video mode, the maximum video frequency is 120 frames. The rate of fire is also great. 8.5 frames per second is enough for professional reportage photography. The buffer is not rubber, but roomy: the maximum series of shots is 22 in RAW format. Of the minuses, users note an illogical menu, but you can get used to it.
1 Sony Alpha ILCE-6000 Kit
Most popular mirrorless camera
Country: Japan
Average price: 39490 rubles.
Rating (2019): 4.8
Despite its compact size, this mirrorless camera will outperform most amateur DSLRs. The main competitive advantage is the best autofocus speed. Record-breaking 179 points provide full frame coverage, sony can easily cope with any dynamic scenes. Reporters will not be let down by the impressive shooting speed of 11 frames per second.
A tenacious tracking autofocus could make the model a leader in video quality. Full HD resolution and recording speed meet modern requirements, but the manufacturer decided not to focus on video. There is no microphone jack on the case, and users complain about the camera overheating during prolonged continuous use.
The indisputable advantage of the Sony Alpha ILCE-6000 is also its low noise level. ISO up to 3200 is rated as working, and 6400 is guaranteed to fit for a home album. Other useful features include Wi-Fi, NFC and a swivel screen.
The only drawback of a mirrorless camera is the cost, which novice photographers will find unreasonably high.
The best mirrorless cameras for advanced users
3 Panasonic Lumix DMC-G7 Kit
Best for video shooting
Country: Japan
Average price: 43309 rubles.
Rating (2019): 4.5
A mirrorless camera that takes mediocre photos and shoots gorgeous video. At its disposal is a 16-megapixel matrix, the ability to record video up to 30 minutes in 4K resolution, an electronic viewfinder, a swivel touch screen and a fast tracking autofocus. In reviews, this model is called the best low-cost solution for videographers.
The software has a variety of video assistants. There are many settings. The built-in microphone does its job perfectly. Its light weight and slim dimensions make it the best choice for advanced users looking for a camera for 4K video shooting and more. Bonuses: powerful battery, good sound recording, gorgeous video detail. The main drawback is not the highest quality case materials. The plastic looks flimsy.
2 Sony Alpha ILCE-7S Body
Full frame camera
Country: Japan
Average price: 97385 rubles.
Rating (2019): 4.7
The release of the full-frame Sony Alpha A7s was a technological breakthrough in the world of digital photography. By increasing the size of the pixels, the manufacturer has achieved previously unthinkable sensitivity. In the daytime, this solution does not give advantages, but in the dark, Sony shows incredible results. Experts agree that when setting ISO up to 6400, the use of noise reduction is not required. Wide dynamic range captures details even in complete darkness. Other advantages include a metal case, a flip-out display and Wi-Fi.
A mirrorless camera has impressive video potential. Contrast focusing does not lose autofocus even if the subject is constantly moving. All settings are adjusted during shooting. The frame rate of the movie reaches 120 frames per second, and when connected to an external recorder, recording in 4K is possible.
Sony's main complaint is a weak battery. When traveling and shooting for a long time, you will need several spare blocks. In addition, the mirrorless has a low rate of fire: 5 frames per second is not enough for reporters, but the manufacturer set himself other tasks.
A mirrorless camera is best for shooting in low light. Of course, it has some shortcomings that the released second version eliminates, but the cost of the new model is disproportionately higher.
1 Sony Alpha ILCE-6500 Kit
Quality 5-axis image stabilization
Country: Japan
Average price: 92102 rubles.
Rating (2019): 4.9
Neat mirrorless camera with excellent features and compact dimensions. This "Alpha" shoots in 4K resolution, has a 25-megapixel camera, a flip-out touch screen and supports interchangeable lenses. 5-axis stabilization works well. Autofocus pleases not only with clarity, but also with quick response - the manufacturer calls autofocus in his creation the fastest in the world. There are a lot of phase focusing points - 425 pieces.
The reviews write a lot of pleasant things about this mirrorless camera. There are also complaints: a weak battery, not always correct focus on "non-native" lenses, low write speed via USB. Users note that the gadget almost does not heat up, pleases with ergonomics and low weight, and is distinguished by high-quality stabilization. The kit includes a kit lens, so you won't need any additional investment to start taking pictures.
The best mirrorless cameras for professionals
4 Sony Alpha ILCE-7M3 Body
Image quality
Country: Japan
Average price: 141990 rubles.
Rating (2019): 4.7
Full-frame 24 megapixel sensor that produces photos at a resolution of 6000x4000. Autofocus is hybrid and pleases with speed, a large number of points, a tracking function and “smart” work in portrait shooting. There are headphone, microphone and USB type-C jacks, as well as support for two flash cards at once. The screen rotates only in the up and down position, which is convenient when shooting from the stomach, for example, but vertical photos from above will have to be taken blindly. But the focus points can be specified directly on the screen: the system will understand you.
Viewfinder electronic with 100% coverage of the field of view. The battery is quite capacious - it lasts for 510 photos, although in burst mode the Alpha ILCE-7M3 is capable of delivering several thousand frames on a single charge. Users in the reviews note that the camera can withstand more than a 5-hour interval in active mode without recharging.
3 Fujifilm X-T20 Body
Best price
Country: Japan
Average price: 49990 rubles.
Rating (2019): 4.7
Compact universal version of Japanese quality. The device is great for both video and photos in professional quality. Here is a 24-megapixel matrix that creates video content in 4K without crop. The screen is touch and swivel, the diagonal size is three inches. I am glad that the camera does not overheat even when recording video in ultra format.
Despite the touching size, the camera is able to produce an excellent picture with excellent quality. It is a pity that there is no function to change the ISO when recording a video. Otherwise, this is a professional mirrorless camera with interchangeable lenses, encrypted under a budget compact camera. The camera got into the top of the best cameras not only due to a pleasant price, but also due to the surprisingly high quality of the footage.
2 Sony Alpha ILCE-A7R III Body
Support for two memory cards
Country: Japan
Average price: 189400 rubles.
Rating (2019): 4.8
The compact professional version with a 44 megapixel matrix and support for 4K video also made it to the top. Autofocus performs its function properly even at dusk. In portrait shooting, autofocus focuses on the eyes - conveniently. The stabilization is matrix and helps out a lot when shooting. The viewfinder is electronic and of high quality. The processor is powerful and even while saving the captured frame, the user can change settings and navigate through the menu.
The menu, unfortunately, is heavily overloaded - in the labyrinths of settings it is difficult to quickly navigate and get to the desired characteristics. But even with poor lighting, the photos do not lather and are of high quality. Another nice bonus for wedding and "reportage" photographers is the high shooting speed. Up to 10 frames are created per second. Each megapixel of the matrix is felt and expressed as images. The case is pleasant, the wheels are metal, the buttons are tight, so that every press is felt. The shutter button is smooth.
1 Olympus OM-D E-M1 Mark II Kit
High resolution pictures. Work speed
Country: Japan
Average price: 189898 rubles.
Rating (2019): 4.9
A mirrorless compact option for professional photographers. Here is a 20-megapixel camera that shoots at a resolution of 5184 x 3888, an electronic viewfinder, a touch-sensitive rotary LCD. Autofocus is hybrid and works quickly, correctly and accurately. The number of focus points is amazing - 121. There is manual focus and even an electronic rangefinder.
The case is made of metal and protected from dust and water. The gadget sits perfectly in the hand, providing a comfortable grip with a well-thought-out body shape. Auto ISO is programmable, which allows you to get a high-quality frame without noise. The detail is amazing, especially in RAW format. The white balance in automatic mode works decently - the color reproduction is natural. For portraits and reportage photos - this is the best model, taking into account price and quality. In addition, there is excellent stabilization, fast operation (from power on to frame processing) and tenacious focus with a tracking function.
@talentonatural77
We've rounded up the top 10 full-frame DSLRs for 2018. Studio heavyweights optimal for enthusiasts and two cameras for photojournalists.
Despite the fact that mirrorless cameras are coming, do not write off DSLRs ahead of time. In this selection, we have included mid-range and top-level SLR cameras.
1. Nikon D850
Nikon D850 is the company's flagship and, according to the editors, the best SLR camera on the market.
The 45.4MP full-frame sensor delivers stunningly sharp images with a huge dynamic range and high working ISO. Fast autofocus is worked out by a system of 153 points. 4K video shooting is available with all the necessary
Nikon's signature deep-grip, water-resistant design and touch-sensitive swivel display provide a superior user experience.
A 30.4MP sensor and 61-point autofocus make this camera an excellent choice for professionals. With this resolution, you can shoot footage of any genre and not suffer from a clogged disk.
The Canon EOS 5D Mark IV is one of the best SLR cameras available today. Although it lost the top of the chart to the D850.
3. Nikon D810
Despite the release of the D850, this model is still a very powerful tool.
36.3 MP matrix, high detail, no AA filter, wide dynamic range and 1200 frames on a single battery. The camera copes with scenes of any complexity thanks to the 51-point autofocus system from the reportage D4S.
It doesn't have a swivel display, Wi-Fi, and 4K, but it remains an excellent studio and reportage camera with moisture protection and high resolution.
4 Canon EOS 5DS
If you want to get the maximum resolution, then you should choose the Canon 5DS with its 50.6 megapixel sensor. Today it is the highest resolution among SLR cameras.
Stunning detail, low noise and good dynamic range make this camera ideal for the studio and landscape photographer.
The downside is slowness, lack of Wi-Fi and 4k video, and, of course, huge files requiring huge memory cards and hard drives.
5. Nikon D750
The first four places were taken by very expensive cameras. On the 4th place is the Nikon D750, the main advantage of which is an affordable price.
The camera is equipped with a 24.3-megapixel sensor, a 51-point autofocus system and a high working ISO. D810 water and dust resistant camera body, tilting display and built-in Wi-Fi.
Nikon D750 is a harmonious and affordable full-frame SLR camera.
6. Sony Alpha A99 II
https://www.instagram.com/digitalrev/ Strictly speaking, the Sony A99 II is a pseudo-DSLR, it is equipped with a translucent mirror and an electronic viewfinder. But still, it is half a DSLR and therefore falls into our selection.
12 fps autofocus, 42.2-megapixel back-illuminated sensor, built-in image stabilizer and extensive 4k shooting capabilities.
The flagship and best SLR camera for a photojournalist. D5 is attached to lenses at the Olympics and various world championships.
Everything in the camera is subordinated to one goal - to take the right shot. Matrix 20.8 megapixels, shooting speed 12 frames per second, never before seen maximum sensitivity of ISO 3,280,000. Autofocus system with 173 points.
The ability to shoot video in 4k is limited to 3 minutes. But these are trifles.
https://www.instagram.com/digitalrev/ A photojournalist chooses a camera based on the system his news agency works with.
The Canon 1D X Mark II received a 20.2 megapixel sensor, 61 focus points and a shooting speed of 14 frames per second, which is faster than the D5.
The camera does not boast a huge maximum ISO, here it is weaker than D5, but nevertheless, in low light, the camera produces a high-quality image even at high values.
9 Canon EOS 6D Mark II
https://www.instagram.com/michalbarok/ The characteristics of the 6D Mark II are quite simple. 26.2 megapixel sensor, 45 AF points, swivel touch display and excellent autofocus performance in Live View.
Of the minuses, a weak dynamic range and autofocus with a small frame coverage.
The company has done a lot of work on the 6D Mark II and has made a nice camera for enthusiasts who want to upgrade to a full frame camera.
10. Pentax K-1 mark II
This is a unique and controversial SLR camera.
The Pentax K-1 mark II features a proven 36-megapixel sensor with good dynamic range, strong weather protection, built-in GPS, handheld Pixel Shift shooting, and a host of features not available on other cameras on the market.
However, it also has a lot of weaknesses. The shooting speed is limited to 4.4 frames per second, there is no 4k video recording, the autofocus zone does not cover the entire frame.
P.S.
All of these models have mirrorless cameras breathing down their backs. At the moment, the market for full-frame mirrorless cameras is represented by the Sony A7R III and models, which by their third iteration have become close to ideal. Plus the first reportage Sony A9. You will not see it in stadiums yet, but partly this is due to logistics.
Very soon, or rather, on August 23, they will be joined by the first full-frame mirrorless Nikon Z, and after it the full-frame Canon. The timing of the announcement of the latter is not known, but there is evidence that Canon is trying its best to make it as soon as possible.
At the same time, do not forget mirrorless cameras with APS-C matrices. They become serious players. Especially Fujifilm with their X-H1 (check it out, she's cool) and the future we expect to see on .
To date, there are four mirrorless cameras with a full-frame matrix in the Sony Alpha lineup. It cannot be said that any of them is a more advanced or simpler model. Each of the cameras has its purpose, and the photographer can choose a creative tool with the most suitable set of characteristics for him.
Sony Alpha A7. Availability and performance
The most versatile and at the same time affordable camera from Sony's family of full-frame "sevens" is the Sony Alpha A7 (full name Sony Alpha ILCE-7). We can say that this is the basic model of the series, on the basis of which, by applying a different matrix or adding a stabilizer, the other three models are created.
The Sony Alpha A7 uses a 24-megapixel 24x36 mm matrix. Like the Sony A6000 camera, the Sony A7 has phase focusing sensors directly on the matrix, but due to the larger area of the matrix, the sensors do not cover it completely. This is the only reason why the camera does not belong to the family of cameras in 4D focus. The Sony Alpha A7 is a powerful creative tool ideal for almost any task. The continuous shooting speed is 5 frames / s, the control is finely tuned. The shutter can operate on the principle of an electronic front curtain, starting the exposure without any delay immediately at the moment the shutter button is pressed. The viewfinder has a resolution of 2.36 million dots, huge by modern standards, x0.71 magnification and 100% coverage of the frame area.
The camera is equipped with a Wi-Fi interface that allows you to remotely control the camera and quickly share pictures with mobile devices. This feature is implemented in almost all modern Sony Alpha mirrorless cameras (except for the A3500). By the way, the Wi-Fi information exchange protocol between a camera and a smartphone was recently discovered by Sony. Perhaps soon we will see third-party applications, and even special remote controls for these cameras.
You can additionally install special applications in cameras that expand the functionality of the camera and give the photographer new opportunities. This method of expanding the functionality of the camera after purchase is a direct competitor to flashing (this method is used by other manufacturers). However, installing applications is safer for the camera, and it is cheaper for the manufacturer. This means that the cost of producing new firmware is not included in the price of the camera. Applications can be downloaded from the official website www.playmemoriescameraapps.com. Their choice is very wide! There are also paid applications (after purchase, you can install it on 10 different cameras), but most are still free.
The Sony Alpha A7 matrix is the golden mean in terms of resolution and noise level. You can shoot at high ISOs up to 3200 units inclusive without fear of getting an unnecessarily high noise level. The potential of 24 megapixels is enough for high-quality printing of a picture for a full spread of a magazine.
ILCE-7 SETTINGS: ISO 640, F8, 1/60s, 40.0mm equiv.
Sony Alpha A7R. Highest Resolution
I did not just dwell in detail on the description of the main characteristics of the previous model. Inside the family, the “sevens” practically do not differ in a number of properties, and their cases are like two peas in a pod. All the difference is hidden inside. For example, the Sony Alpha A7R (full name Sony Alpha ILCE-7R) no longer has a 24-megapixel, but a 36-megapixel 24x36 mm matrix. Moreover, the matrix is devoid of a low-frequency optical filter to provide even greater image detail.
A low-frequency optical filter (also called OLPF in English documentation) is used in modern matrices to artificially reduce image sharpness. It is necessary to ensure that the appearance of the so-called moiré pattern - distortions caused by the imposition of regular textures in the image plot on the matrix pixel grid - is guaranteed to avoid. But when using a 36-megapixel matrix, such distortions can be obtained only in very rare cases. But the gain in detail when the low-pass filter is omitted is significant.
The Sony Alpha A7R is the ideal tool for landscape photography, as well as for portrait, studio, product photography. It will also appeal to those who make money on photo stocks, where higher-resolution images can bring more income. In this camera, everything is done for the sake of the maximum detail of the pictures. The manufacturer had to abandon the use of phase sensors on the matrix, and due to the large volume of files, the rate of fire slightly decreased from 5 to 4 frames / s relative to the Sony Alpha A7. Also, a classic shutter without an “electronic front curtain” is used here (it is noisier and formally has a large response delay, although this is not felt in practice).
ILCE-7R / FE 35mm F0 ZA SETTINGS: ISO 100, F8, 1/320s, 35.0mm equiv.
Sony Alpha A7S. Sensitivity and dynamic range
This is the smallest megapixel full frame camera on the market today. Resolution matrix Sony Alpha A7S (full name Sony Alpha ILCE-7S) is only 12 megapixels. However, this is enough to print a magazine page in the highest printing quality. However, in difficult shooting conditions, when there is not enough light, this camera will give odds to all other models with a high resolution of the matrix. The large pixel of the Sony Alpha A7S is capable of capturing more photons of light, which means that the noise level when shooting at high ISO will be lower. The same is true with dynamic range: when shooting contrasting scenes, both the details in the shadows and the details in the highlights will be better worked out. According to the results of instrumental tests, the Sony Alpha A7 matrix ranks first among all modern cameras. This matrix model is no longer used in any other camera.
Until now, we have only talked about the photo capabilities of cameras, but all cameras of the modern Alpha family can shoot high-quality Full HD video. However, even against the backdrop of Sony A7S brothers who have succeeded in video filming, it stands apart. Firstly, this camera can record video with a very low noise level at high ISOs (thanks again to the unique matrix). Secondly, when shooting video, you can fully realize the widest dynamic range of the matrix. A special S-log2 Gamma profile is provided for this. This is Sony's color grading technology that delivers smoother tones, reduced overexposed and underexposed areas, and increased dynamic range by up to 1300%! However, without color correction in post-processing (processing the captured video on a computer), an image captured using S-log2 will look low-contrast.
Video recording on a memory card is possible in Full HD resolution with a frequency of up to 50/60 fps (for HD, the frequency can be increased to 100/120 fps) and a bit rate of up to 50 Mbps. When using an external recorder connected to the camera's HDMI output, 4K video can also be recorded. At the output, the camera produces an uncompressed video stream at a resolution of 3840 x 2160. Each frame of such a video is an 8-megapixel photo!
The Sony A7S uses Full Pixel Readout technology, which allows you to read data from the entire matrix during video recording and immediately compress them to the desired resolution using a powerful processor. In other cameras and even video cameras, reading information from individual pixels is most often used, skipping entire rows and columns of photosensitive elements. Full Pixel Readout allows you to get a better picture, devoid of distortion and artifacts. Another feature of the Sony A7S sensor is the ability to shoot with an absolutely silent shutter release. The mechanical shutter is then disabled.
The first was the A900, released four years ago. Both cameras share the same 35mm sensor and essentially the same 24 megapixel resolution. But these cameras also have a lot of differences. The A900 is a traditional DSLR without video or Live View. But the new A99 has a beautiful Sony SLT design combined with the latest technology.
Like previous SLT cameras, the A99 uses a fixed translucent mirror. It allows most of the light to pass into the main sensor for full-time Live View. At the same time, the rest of the light is reflected upward towards the traditional detecting phase of the AF system, which is typical for SLT models. This makes it possible to enjoy fast and confident continuous autofocus during Live View. Even the most advanced DSLRs are struggling to achieve such an achievement. An interesting fact is that the A99 is additionally equipped with step-by-step detection AF points, which are actually built into the sensor itself. This allows the photographer to set the range of distances in which the autofocus system should work.
Along with all Alpha DSLRs and SLTs, the sensor in the A99 is equipped with an Image Stabilizer. It works with any lens you want to use. The viewfinder in the Sony Alpha A99 is provided only in the electronic version. But, based on an OLED matrix, combined with a fully articulated 3-inch screen, this is the best viewfinder to date.
The continuous shooting speed at full resolution is 6 frames per second, and in Tele-Zoom mode 10 frames per second. The hard-hitting magnesium alloy chassis also includes built-in GPS, dual SD card slots, and uncompressed HDMI video output. Sony saw fit to equip the A99 with a standard hot shoe attachment, but there is no pop-up flash.
And at the end of the introduction, let's denote that the camera is capable of shooting 1080/50/60p video with continuous autofocus. It also features a built-in stereo microphone, a new silent control dial, uncompressed HDMI audio, and an optional XLR adapter. As you can see, this camera has a lot of features and we will most likely compare its capabilities with other competing models more than once.
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It will go on sale presumably at the end of October at an estimated cost of $ 2,800. That is, at the same price as the Cyber-shot RX1 camera, which was presented almost simultaneously.
And now let's move on to a more thorough acquaintance with the new Sony Alpha A99 full-frame camera:
12 September 2012 in SAN DIEGO presented the long-awaited camera Sony A99. This digital camera sets a new performance standard for the professional class of SLR cameras. It harmoniously combines all the advantages of full-frame shooting, as well as the speed and high technology of a translucent mirror.
As the successor to Sony's flagship A900 DSLR, the A99 features a new 24.3 MP full-frame image sensor, a unique Dual Stage Detection AF system, and a host of other innovative technologies. They work together to produce the best picture and video quality in Full HD, everything we've come to expect from Sony's Alpha line of cameras.
Mike Kahn, director of Sony's Alpha Division, said the new A99 camera embodies the company's wealth of experience in image sensor manufacturing and a truly innovative approach to camera design. This gives new insights into what can be achieved with a full frame DSLR camera.
A new level of image quality
The new flagship A99 combines a 24.3-megapixel Exmor CMOS sensor with an advanced BIONZ image processor to deliver unrivaled levels of performance in both stills and video.
The performance of the full-frame sensor is enhanced by a newly developed multi-segment low-pass filter, which increases its resolution. Supported by new LSI interfaces, the BIONZ processor is able to process image signals with large amounts of sensor data at very high speeds. Using a powerful new area-specific noise reduction (NR) algorithm, the camera maintains 14-bit RAW images with rich gamut and low noise.
The evolved BIONZ processor also gives the A99 a more than impressive maximum range (in extended mode) of ISO 50 to 25600 - nine stops. Its incredible processing power allows the camera to shoot at up to six frames per second at full resolution or up to 10 frames per second in continuous shooting mode.
Another Feature A99 is that for the first time in history a digital camera has a unique dual autofocus system. This focusing system is based on 19-point autofocus using 11 cross sensors. At the same time, it is supplemented with 102 focal plane points with autofocus phase detection and overlay on the main image sensor. Using the technological capabilities of a translucent mirror, allows light to reach both AF phases. There is a simultaneous, continuous and more accurate measurement of the distance to the object than with other cameras. This unique dual AF system delivers ultra-fast, accurate autofocus that maintains tracking not only in focus, but even when the subject is temporarily out of frame.
Depth-limiting continuous autofocus (AF-D) uses a dual autofocus system for wider and tighter frame coverage. This greatly improves autofocus for fast or erratic subjects against difficult backgrounds. Also, during movie shooting, AF provides a reliable depth of focus and ensures that the camera maintains focus. Even when objects or people cross the focal plane.
The new AF range control allows photographers to manually select the foreground-to-background distance that the autofocus system will not respond to. This feature is extremely useful for capturing sports or animals through wire mesh, especially when there are difficult backgrounds that often distract the camera's AF system.
Designed for videographers and filmmakers
The ability to shoot video with the new A99 is based on Sony's experience in developing professional camcorders. It's about combining the unrivaled resolution and sensitivity of full-frame sensors with several advanced features designed for professional video production.
The flagship A99 is the first full-frame DSLR to offer Full HD 60p/24p progressive video recording in accordance with AVCHD Version 2.0. The video shooting process is accompanied by continuous autofocus, which allows you to track moving objects non-stop. Additional enhancements include real-time video output via HDMI, continuous recording, dual memory card slots.
For added convenience when shooting video, there is a new software multi-command dial located on the front of the camera body. It allows you to silently adjust general settings while shooting, including exposure compensation, ISO sensitivity, shutter speed, aperture, and more.
The camera's audio recording features are designed to meet the high demands of the most demanding videographers. You can use headphones to accurately monitor audio recordings. For this, a special connector is provided. In addition, for audio balance, there is the option of using the optional XLR-K1M adapter kit, which adds a high-quality mono microphone and pro-standard XLR connections for quality audio recording.
An uncompromising option for advanced photographers
The XGA resolution OLED electronic viewfinder provides 100% viewfinder frame coverage while maintaining exceptional brightness, contrast, clarity and good resolution. This ensures high detail of the scene and object being shot. The unique electronic viewfinder also supports the 100% field of view of DT lenses, which are optimized for cameras with an APS-C sensor. The angle of view is automatically converted to record the image.
Complementing the electronic viewfinder is a 1229k-dot 3-position swivel LCD monitor with White Magic technology to enhance overall screen brightness. This is especially useful for framing and shooting outdoors in bright sunlight.
Despite its impressive capabilities, the A99 is the world's lightest 35mm full-frame interchangeable lens digital camera. It is made from high strength magnesium alloy, and weighs only 733g (excluding lens and battery). Translucent mirror technologies, which eliminate the need for a heavy glass pentaprism moving mirror mechanism, also contribute to an extremely lightweight design.
In addition, the camera is waterproof. All buttons in it and controls have increased durability. The bolt block has been redesigned and has been tested to approximately 200,000 actuations. This also ensures the endurance and reliability of the camera.
Improved camera ergonomics include a newly designed grip and differentiated design of several switches and buttons. This allows the fingers to intuitively control the settings. New exposure lock modes prevent accidental rotation. The newly designed Navi Pro interface provides quick, intuitive one-handed operation and easy access to common shooting options.
The A99 camera model can also be operated via connection to a remote computer. Supported features include switching between stills and video, plus automatic transfer of images from camera to PC to optimize workflow in studio environments.
New lenses and accessories
The A99's full-frame capability makes it the perfect partner for new 300mm F2.8G SSM II (SAL300F28G2) lens. It is designed to meet the specific requirements of sports and wildlife photography. This bright super-telephoto lens offers a significant improvement in the camera's optical design and image processing over its predecessor.
Sony has developed a Nano-AR coating that delivers flawless photos and HD video while limiting flare and ghosting. In addition, it increases the contrast. In addition, the new LSI drive circuit offers faster and more accurate autofocus with improved subject tracking capability. The new lens is also dust and moisture resistant, making it an ideal candidate for shooting outdoors.
A new high-aperture Carl Zeiss® lens is currently under development. It is being optimized for superior results with the new Planar T* 50mm F1.4 ZA SSM full frame 35mm cameras. It will be available next spring.
Exclusively for the A99 camera, it is offered completely new vertical lever VG-C99AM. It can hold and manage three batteries at the same time (including the camera's own onboard battery). Also resistant to dust and moisture. Its grip is perfect for long photo shoots in the studio or outdoors.
New Range powerful outbreaks The HVL-F60M (GN60, meters at ISO 100) with built-in LED is ideal as a creative photo and video application. Wireless connection of multiple flashes is also provided. The Quick Shift Bounce system controls light uniformity. Adjustments can be quickly made using the intuitive Quick Navi flash control system. The flash is also resistant to dust and moisture. The HVL-F60M comes with a flash adapter and color conversion filter for use under LED lighting.
The A99 is compatible with both 49mm and 55mm lenses. New lenses The HVL-RL1 offer high performance LED illumination of small objects and are ideal for macro photography. A high output level (about 700 lx/0.3m) is achieved, which is about four times brighter than the previous model, and operation can be switched between full ring and half ring diode light.
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New XLR-XLR K1M Adapter Kit is designed to meet the most demanding audio recording requirements. It has two standard audio jacks for connecting professional microphones and mixers to the camera. Two channel levels are adjustable for maximum operational flexibility. The adapter kit comes with the ECM-XM1 professional microphone. An optional bracket is required when using the XLR-K1M kit with the A99.
RMT-DSLR2- remote controller remote management, which allows wireless shutter release. You can start/stop photo and video recording. It is compatible with the new A99 models as well as other cameras that have a receiver for the remote control.
LCS-BP3 - specially developed backpack for easy carrying of the camera. It holds the A99 body, the included telephoto zoom lens plus the VG-A99AM vertical grip, 3-4 spare lenses, accessories and a laptop up to 15.5" diagonal.
ADP-MAA is new adapter, which allows the Multi Interface Shoe to be used with accessories designed for the Auto-lock Accessory Shoe. This adapter will come with the new HVL-F60M flash and the HVL-RL1 lens mentioned above. It allows you to connect accessories to the camera.
Finally, protection screen PCK-LM14. This is a semi-rigid plate that protects the camera's LCD screen from dust, scratches and fingerprints. It also comes with a top panel protector.
New cards memory Sony's SDXC UHS-I SF-64UX(64GB) is ideal for continuous shooting with the A99. They provide ultra-high speed data transfer. Excellent compatibility gives excellent data transfer speed up to 94MB/s (when reading). It also transfers data to a PC at high speed, including video and large RAW files.
The new memory cards are water resistant and designed for use over a wide operating temperature range. For additional security of data integrity, the company has provided Sony's File Rescue software. It can help recover files with photos and video frames that may have been accidentally deleted.